Frames are employed to create unique panels that propel readers to the conclusion, and the spare use of full color heightens the emotion of the piece. Cavallaro's choices of predominantly black-and-white artwork complement this gripping, thought-provoking narrative. Rapp and Cavallaro successfully rely on the problem play format and use it to weave a cautionary tale about our fast-paced world. As with all great tragedies, it is a love destined for heartbreak. In the Underground, Angela falls in love with Gladys and becomes an active part of the resistance. She wants to revel in language and luxuriate in art, so it isn't difficult for her to commit to an Underground community that she discovers by accident in Blackhawk Caves. It's a world that 15-year-old Angela hates. Students at Hyper High no longer study the classics instead, they take Brief Lit, which abridges the classics and simplifies the language. It's a world run by the Guarantee Committee (GC), and the inhabitants are "protected" and monitored to ensure that they are keeping everything short. Culture has been reduced to snippets of perfectly packaged and abbreviated elements. (The publisher provided an advance digital review copy.Gr 10 Up-Welcome to a brave new world that is marketing-forward and tech-heavy. It can be ordered from your local comic shop with Diamond code DEC16 1692. Still, it’s an appealing message underneath, to slow down and appreciate art.ĭecelerate Blue is due out February 14. I didn’t mind reading the first time through to find out what happened, but I don’t expect to read it again. It’s an appealing fantasy, that a group of drop-outs could build their own secret society, but it’s so unlikely as to not fit in well with the science fiction backing of the setting. (Those who don’t remember history, as they say… and this work would have been stronger with more awareness of cultural context.) That reference made me feel as though I was too old for the book, since I knew more history than I was intended to. Still, when a group talks about taking a life-changing drug in a joint ceremony, all at once, if you’re a certain age, that’s going to evoke Jonestown, which I don’t believe is intended. Except this is a rigged game, by the authors, so we’re supposed to think that going along is soul-crushing until you find the right group to fit in with. Teenage rebellion is natural, but that doesn’t make everything she dislikes bad. I suspect we’re supposed to identify with Angela, but there were times when I thought she seemed over-indulged. I wanted to know more about this world and how it came to be. My favorite parts were the small moments giving more insight into what day-to-day life is like, such as the one scene in Angela’s classroom. I found the plot familiar, but that’s part of the appeal of a genre work, seeing the formula work itself out. Most of the book is black and white, but color is used sparingly to illustrate the most potent emotional moments. The art is sparse and spiky, creating a sense of the tension Angela feels, but at times I wasn’t sure exactly what we supposed to be seeing, or the lack of background becomes distracting. Then she finds an underground (literally) resistance movement, where she falls in love. She wants to live less rapidly, with more intention. Movies last under fifteen minutes.īut Angela has found a copy of the banned novel that suggests a different, slower way of life. Everyone has a tracking chip implanted in their arm. Using too many adverbs will draw the wrong kind of attention. Adam Rapp writes and Mike Cavallaro draws the story of Angela, a fifteen-year-old living in a world that emphasizes speed and hyper-consumption.Īll sentences end with the word “go”. Decelerate Blue brings the popular dystopian YA genre of a young rebel finding her people to comics.
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When accessing the attribute items in a User, as in my_ems, it will have a list of Item SQLAlchemy models (from the items table) that have a foreign key pointing to this record in the users table. We use Column from SQLAlchemy as the default value.Īnd we pass a SQLAlchemy class "type", as Integer, String, and Boolean, that defines the type in the database, as an argument. Now create all the model (class) attributes.Įach of these attributes represents a column in its corresponding database table. The _tablename_ attribute tells SQLAlchemy the name of the table to use in the database for each of these models. database import Base class User ( Base ): _tablename_ = "users" id = Column ( Integer, primary_key = True, index = True ) email = Column ( String, unique = True, index = True ) hashed_password = Column ( String ) is_active = Column ( Boolean, default = True ) items = relationship ( "Item", back_populates = "owner" ) class Item ( Base ): _tablename_ = "items" id = Column ( Integer, primary_key = True, index = True ) title = Column ( String, index = True ) description = Column ( String, index = True ) owner_id = Column ( Integer, ForeignKey ( "users.id" )) owner = relationship ( "User", back_populates = "items" ) To create the SessionLocal class, use the function sessionmaker:įrom sqlalchemy import Boolean, Column, ForeignKey, Integer, String from sqlalchemy.orm import relationship from. We will use Session (the one imported from SQLAlchemy) later. We name it SessionLocal to distinguish it from the Session we are importing from SQLAlchemy. The class itself is not a database session yet.īut once we create an instance of the SessionLocal class, this instance will be the actual database session. Create a SessionLocal class ¶Įach instance of the SessionLocal class will be a database session. This is to prevent accidentally sharing the same connection for different things (for different requests).īut in FastAPI, using normal functions ( def) more than one thread could interact with the database for the same request, so we need to make SQLite know that it should allow that with connect_args=.Īlso, we will make sure each request gets its own database connection session in a dependency, so there's no need for that default mechanism. In a similar way you could use any other ORM.īy default SQLite will only allow one thread to communicate with it, assuming that each thread would handle an independent request. Here we will see how to work with SQLAlchemy ORM. So, orion_ could be the name (from the name column in the owners table) of this pet's owner.Īnd the ORM will do all the work to get the information from the corresponding table owners when you try to access it from your pet object.Ĭommon ORMs are for example: Django-ORM (part of the Django framework), SQLAlchemy ORM (part of SQLAlchemy, independent of framework) and Peewee (independent of framework), among others. This way, you could also have an attribute orion_cat.owner and the owner would contain the data for this pet's owner, taken from the table owners. These ORMs also have tools to make the connections or relations between tables or entities. And the value of that attribute could be, e.g. With an ORM, you normally create a class that represents a table in a SQL database, each attribute of the class represents a column, with a name and a type.įor example a class Pet could represent a SQL table pets.Īnd each instance object of that class represents a row in the database.įor example an object orion_cat (an instance of Pet) could have an attribute orion_cat.type, for the column type. ORMs ¶įastAPI works with any database and any style of library to talk to the database.Ī common pattern is to use an "ORM": an "object-relational mapping" library.Īn ORM has tools to convert (" map") between objects in code and database tables (" relations"). The FastAPI specific code is as small as always. Notice that most of the code is the standard SQLAlchemy code you would use with any framework. OAuth2 with Password (and hashing), Bearer with JWT tokensĬreate SQLAlchemy models from the Base classĬreate Pydantic models / schemas for reading / returning “As a further addition to our announcement about scammers – they have PEGI rating while we do not know it yet (!) and they embedded our trailer from Epic Games Store while “selling Steam keys” on pre-order. Der beste Preis fr Frostpunk auf dem PC ist 3,13, gefunden bei HRK Game unter 39. Media folks? /sx7uX6sciqĪdditionally, in a follow-up tweet, they said: Some SHITTY SCAMMER sells Frostpunk 2 on pre-order under umbrella of another CROOK Kinguin?! Re-tweet & let's make some noise to stop it. This has led to strong pushback from Frostpunk 2 developer, 11 Bit Studios:ĪNNOUNCEMENT! We don't know the price of our game yet, we don't have any keys. However, online retailer Kinguin is somehow offering “preorder Steam CD keys” for sale. Official channels reported that the game was still relatively early in development, and hasn't even shown any gameplay. Survival City-Builder Frostpunk announced its sequel, Frostpunk 2 just last week. The most spectacular displays of lightning in the UK are generally associated with “Spanish Plume” type events, especially since these can occur during the night. (Not to be confused with intracloud lightning within a single cloud). Spider lightning refers to long, horizontal moving flashes often seen on the underside of stratiform clouds. Cloud-to-Cloud (CC) Lightning (or intercloud lightning)Īlthough rare, lightning can also travel from one cloud to another (or more!). Heat lightning got its name because it is often seen on hot summer nights when thunderstorms are common. Although often associated with IC lightning, it is any lightning hidden by clouds or terrain aside from the flash of light it produces.Ī related term, heat lightning, is any lightning or lightning-induced illumination too far away for thunder to be heard. Sheet Lightning is a term used to describe clouds illuminated by a lightning discharge where the actual lightning channel is either inside the clouds or below the horizon (i.e. This is the most common type of discharge and refers to lightning embedded within a single storm cloud, which jumps between different charge regions in the cloud. Lightning that demonstrates upward branching indicates a ground-to-cloud flash, though some upward-moving lightning is branchless below the cloud base. GC lightning can also be either positive or negative in polarity. Ground-to-Cloud lightning strikes - sometimes called upward-moving lightning - are common on tall towers and skyscrapers. Ground-to-Cloud (GC) LightningĪn upward-moving leader initiates a discharge between cloud and ground from an object on the ground. However, the most dramatic examples occur when long, bright lightning channels extend from the sides of cumulonimbus clouds. This refers to a discharge that jumps from a cloud into clear air and terminates abruptly – indeed, CG lightning contains CA lightning via the branches that extend from the main channel into the mid-air. Sprites (see side box) are usually associated with more intense positive CGs. Thunder from such lightning is very loud and may sound like a series of deep, low-frequency sonic booms. Positive cloud-to-ground lightning strikes are typically very bright (relative to other lightning activity) and can be identified by their distinct lack of branching near the ground. Such lightning is usually associated with supercell thunderstorms and trailing stratiform precipitation regions behind squall lines. Negative CG lightning strikes can be identified by their distinctive downward branching.Ī downward-moving initiates the less common CG flashes, positively-charged stepped leader, followed by an upward travelling return stroke that lowers the positive charge to earth. The net effect of this flash is to lower negative charge from the cloud to the ground. Negative Cloud-to-Ground Lightning (-CG)Ī downward-moving initiates the most common CG flashes, negatively-charged stepped leader, followed by an upward travelling return stroke. A return stroke (the very bright visible flash that we see as lightning) travels at about 60,000 miles per second back towards the cloud, with one flash consisting of as many as 20 return strokes. When the oppositely-charged leader and streamer connect, a powerful electrical current begins flowing (hence why it is ill-advised to stand under a tall object during a thunderstorm!). As it nears the ground, the negatively charged stepped leader is attracted to a channel of positive charge reaching up, a streamer, usually through something tall, such as a tree, house, or telephone pole. This stepped leader is invisible to the human eye and travels to the ground in a millisecond. In CG lightning, a channel of negative charge, called a stepped leader, will zigzag downward in a ‘forked’ pattern - hence it is sometimes called forked lightning. Lightning can strike the ground, the air, or inside clouds, but there are roughly 5 to 10 times more cloud flashes than cloud-to-ground flashes. This, as well as its starting and ending points and direction of movement, give rise to different ‘types’ of lightning. The polarity of lightning discharge can affect how it spreads and branches in space and time. A beautiful and deadly natural phenomenon, lightning is simply a sudden, electrostatic discharge - a ‘spark’ or ‘flash’ as charged atmospheric regions temporarily equalise themselves through this discharge. In You Can't Take It With You, the Sycamores explore happiness and the American Dream by crafting fireworks, making candy, writing plays, and dancing, while the American Dream can look very different to others. Please join us immediately following this performance for a post-show discussion about the American Dream. Post-show discussions typically last for 20 minutes. Join IRT staff and cast immediately after the performance for a post-show discussion that covers a variety of interesting topics related to the show. Sip on local libations and then nosh on mouth-watering nibbles. Imbibe like a local at IRT’s Happy Hour! Happy Hour starts at 5:30 PM, an hour before the performance. Tuesday, | Happy Hour starts at 5:30 PM | Performance at 6:30 PM This Mother's Day, May 12, come see a performance of You Can't Take It With You and enjoy specials on treats for mom! To help celebrate the leading lady in your life, we are offering $4 MOMosas and 2 for $3 marshmallow chocolate "Love Dreams" from The Best Chocolate in Town! Born and raised in Indianapolis, Lieber has taught creative writing in prisons on a grant from The Indianapolis Foundation and was an arts researcher for the Indiana Arts Commission. Lieber developed Happiness Seminars and teaches courses on the history of self, empathy, and psychology, and he will share his insights on happiness. Fritz Lieber, a professor at Indiana University. Please join us for a post-show discussion immediately following this performance with Dr. Immediately following this performance, join IRT staff for an explorative and informative backstage tour. Thursday, May 9, 2019 | Following the 2 PM performance To learn more visit /accessibility.Ĭookies and coffee will satisfy your sweet tooth, and our production will leave you wanting more! Luckily, you can have a sweet experience at the IRT’s Cookie and Coffee matinee where cookies, coffee and tea can be enjoyed before the 2 PM performance. We also offer Assisted Listening Devices free of charge at each performance. Patrons with hearing needs are encouraged to sit in the interpretation zone and meet with the interpreter before the show. The IRT offers ASL/AD services to our patrons with vision and hearing needs. Raise a glass and salute the cast at IRT’s Opening Night! After the show, the marquee lights shine bright as you’re treated to a champagne toast and hors d'oeuvres, and invited to a one-time-only chance to explore the set with IRT Artisans.Īfter the performance enjoy tea, cookies and coffee while engaging in a post-show discussion with IRT actors, cast and guests. Grab a group of friends and enjoy a night of shopping, local libations, bites and more! The event will conclude before the IRT’s hilarious season closer You Can't Take It With You. Join the Indiana Repertory Theatre for our third annual Girls Night Out event on April 25.
This can be very useful, but it happens automatically so don't be alarmed if a music file begins playing on mouseover.Īshampoo Zip Free doesn't offer an overwhelming number of options, and each of its features is clearly presented and explained. Interestingly, Ashampoo Zip Free also gives previews of files before you extract an archive. Many of the options shown on the main splash screen are links to paid applications like dedicated encryption and decryption tools, but don't let this put you off all the essentials that you'll find in other free file compression software are present and correct, including archive creation, extraction, repair, and multi-volume ZIP writing. Ashampoo Zip Free is a rare exception, with a clear interface and an optional touch mode with larger, tap-friendly icons. Many free Winzip alternatives hide their best features behind a complex system of menus. The only key feature it's missing is the ability to repair damaged archives - other than that, it's a truly exceptional program. You can apply password protection to packaged archives and split them into volumes, which is handy for sharing particularly large archives. 7-Zip can also create self-extracting 7z archives. Its own 7z format is designed for high compression, and is supported by almost all file archiving tools – both paid-for and free – making it an ideal choice for sharing. You can locate files to be archived using a simple Windows Explorer-style file tree, or drag and drop them into the main window. It's only 1MB in size, and can pack and unpack just about any compressed file archive you can throw at it.ħ-Zip isn't the most attractive WinZip alternative around, but it's so well designed that you won't miss the slick interfaces of its paid-for equivalents. 7-Zip is open source, meaning it's completely free, even for commercial use. 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Corpus:: Bodies of Knowledge (New York, Palgrave Macmillan, 2011): 21-38. “Distributed Reproduction” in Paisley Currah and Monica Casper, eds.Toxic World (London, Pickering and Chato, 2013). “Chemical Infrastructures of Reproduction” in Nathalie Jas and Soraya Boudia, ed.Relational Ecologies: Subjectivity, Sex, Nature and Architecture (London: Routledge, 2013) Economizaiton of Life in Relational Ecologies “Economization of Life: Calculative Infrastructures of Population and Economy” in Peg Rawes, ed.“ Deviation: Studying Unformed Objects,” Field Notes, Cultural Anthropology (June 2013).“The Girl: Mergers of Feminism and Finance in Neoliberal Times” The Scholar and Feminist Online 11.2 (2013).“Distributed Reproduction, Chemical Violence, and Latency” The Scholar and Feminist Online 11.3 (2013).“ Unsettling Care: Troubling Transnational Itineraries of Affect in Feminist Health Practices” for special issue “The Politics of Care in Technoscience” of Social Studies of Science 45.5 (2015).“Reproduction” in Marxism and Feminism, edited by Shahrzad Mojab (New York: Zed Books, 2015): 287-304.“Knowing and Not Knowing about Chemicals in Our Bodies,” Canada Watch (Fall 2015): 23-25.“ How does Technoscience Dream? Speculating on the Future in Postcolonial Social Sciences,” four essay series: “How does Technoscience Dream,” “Sultana’s Dream,” “Phantasmagrams of Population,” and “The Clock is Ticking” in Histories of the Future, Princeton University.“Towards Non-Innocent Reassemblies: Commentary on Dana Simmon’s Imposter Syndrome ” Engaging Science and Technology Studies, 2 (2016), 128-131.with Catalyst Editorial Board “ Introduction to the Inaugural Issue” Catalyst: Feminism, Theory Technoscience 1.1 (2015).“ Infrastructures Built and Unbuilt” Film Forum for In the Shadow of Ebola, Somatosphere (Sept.“Alterlife and Decolonial Chemical Exposures” Cultural Anthropology (Nov 2017).“ Against Population, Towards Alterlife” in Making Kin, Not Population, editors Adele Clarke and Donna Haraway and (Prickly Paradigm Press, 2018).Read the Introduction: “A Cloud over History” Recent Articles 19 (University of Chicago Press, 2004) edited with Gregg Mitman and Christopher Sellers. Landscapes of Exposure: Knowledge and Exposure in Modern Environments Blog interview with Jody Roberts about the book on World’s Fair Winner of the Ludwik Fleck Prize (2008) from the Society for Social Studies of Science. Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers (Duke UP, 2006) Seizing the Means of Reproduction: Entanglements of Feminism, Health and Technoscience (Duke UP 2012) Winner of the Ludwik Fleck Prize (2019) from the Society for Social Studies of Science. Women and Gender Studies Institute, University of TorontoĮmail: Economization of Life (Duke UP 2017) From 1996-2007, I was the editor of RaceSci Website on the History of “Race” in Science, Medicine, and Technology. I served on the steering committee of the Politics of Evidence Working Group and previously served on the organizing committee of Our Right to Know. I have lived in Tkaronto/Toronto since 2001.įor many years I co-organized the Technoscience Salon, I serve on the Editorial Board of the journal Catalyst: Feminism, Theory, and Technoscience., and was a founding member of the Environmental Data and Governance Initiative, and the Principle Investigator of the Endocrine Disruptors Action Group. My family is Métis on my mother’s side (the Carriere family) and French white settler on my father’s side. I have a PhD in the History of Science from Harvard University (1998), and a Bachelors degree in Biology and History and Philosophy of Science and Technology from the University of Toronto (1992). I am Métis from Winnipeg and a member of the MMF. I have additional graduate appointments at the School of Environment, and the Faculty of Information (iSchool) at U of T, and in Science and Technology Studies and the Faculty of Environmental Studies at York University. I co-direct the Technoscience Research Unit, where I co-direct the Indigenous Environmental Data Justice Lab. I am a Fellow of the Royal Society of Canada. I hold a tier 1 Canada Research Chair in Science and Technology Studies and Environmental Data Justice. I am a Professor in the History Department and Women and Gender Studies Institute at the University of Toronto. My scholarship focuses on technoscience as it relates to environmental justice, data politics, chemical exposures, infrastructures, reproduction, Indigenous science and technology studies, race, and colonialism. 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